International scholarship over the last twenty years has produced a new understanding of Emile Durkheim as a thinker. It has contributed to reassembling what, for Durkheim, was always a whole: a sociological selection on morals and moral activism. This volume presents an overview of Durkheim's thought and is representative of the best of contemporary Durkheim scholarship.
Known the world over for his work in early human origins, Richard Leakey was serving as director of Kenya's National Museums when in 1989 President Daniel arap Moi appointed him to run the country's Wildlife Conservation Department. The news stunned Leakey. He was suddenly in charge of an enormous bureaucracy whose responsibility was to oversee millions of square acres of parks and sanctuaries, and to protect the animals living in them. Like many other Kenyans, Leakey knew that the country's fabulous wildlife population was in very real danger, and in particular the elephant. By the late 1980s, the once numberless herds of elephants that roamed its savannas were dwindling fast, victims to poachers armed with automatic weapons, bureaucratic inefficiency, and the world's appetite for ivory. Extinction was more than a theoretical possibility. Leakey quickly realized he had been given far more than a job; he had been thrust onto the front lines of a wildlife war, one that was being fought as fiercely in Nairobi's government offices as in the parks themselves. Extreme conditions called for extreme measures. One of his first orders of business involved an enormous warehouse of confiscated elephant tusks that were to be auctioned off to the highest bidder, the proceeds used to buttress the demoralized and nearly bankrupt Wildlife Department. Rather than sell the tusks, however, Leakey decided to burn them. The bonfire flames captured the world's attention. The fight to save the African elephant was ignited. Wildlife Wars is Leakey's inspiring and dramatic account of these turbulent times, indelibly capturing Kenya's struggle to balance the needs of its human population with the task of maintaining the world-famous parks that are its major source of revenue. He threw himself into his job: restructuring the department, firing non-performing personnel, securing funds for equipment, and building up a park police force that had both the will and the means to take on the poachers. By slow degrees he and his colleagues at Wildlife were beginning to turn the tide. But the cost of success was often high. As candid and controversial as its author, this memoir, co-written with Leakey family biographer and writer Virginia Morell, is testimony to one man's commitment to save African wildlife and to serve his country. Richard Leakey has survived threats on his life, political attacks, and a plane crash that cost him both legs. Today, unbowed, he remains one of Kenya's-and sub-Saharan Africa's-most passionate spokesman for conservation, political, and economic reform. Wildlife Wars reveals how deeply his passion runs.
In With a Daughter's Eye, writer and cultural anthropologist Mary Catherine Bateson looks back on her extraordinary childhood with two of the world's legendary anthropologists, Margaret Mead and Gregory Bateson. This deeply human and illuminating portrait sheds new light on her parents' prodigious achievements and stands alone as an important contribution for scholars of Mead and Bateson. But for readers everywhere, this engaging, poignant, and powerful book is first and foremost a singularly candid memoir of a unique family by the only person who could have written it.
One of the leading public intellectuals of twentieth-century America and a pioneering and brilliant social scientist, C. Wright Mills left a legacy of interdisciplinary and hard-hitting work including two books that changed the way many people viewed their lives and the structure of power in the United States: White Collar (1951) and The Power Elite (1956). Mills persistently challenged the status quo within his profession--as in The Sociological Imagination (1959)--and within his country, until his untimely death in 1962. This collection of letters and writings, edited by his daughters, allows readers to see behind Mills's public persona for the first time. Mills's letters to prominent figures--including Saul Alinsky, Daniel Bell, Lewis Coser, Carlos Fuentes, Hans Gerth, Irving Howe, Dwight MacDonald, Robert K. Merton, Ralph Miliband, William Miller, David Riesman, and Harvey Swados--are joined by his letters to family members, letter-essays to an imaginary friend in Russia, personal narratives by his daughters, and annotations drawing on published and unpublished material, including the FBI file on Mills.
The author paints a highly charged portrait of this ubiquitous "savant", denouncing his militancy, hypocrisy, elitism and shallowness. This controversial and impassioned attack by a fellow French scholar is more than a gauntlet thrown, it's David taking a shot at Goliath
Few public intellectuals have had such a big impact outside the academy as Edward Said, whose work has been the subject of much debate and discussion over the last two decades. From critiques of ideology mixed with philosophical reflections, to intellectual histories, literary criticism, and radical sociopolitical analysis he has single-handedly sustained a permanent insurrection against the status quo. This, the first full-length intellectual biography of the groundbreaking author of Orientalism, reveals some startling observations. Abdirahman Hussein argues that underneath Said's carefully constructed eclecticism there is a global method in his work. His key text is not Orientalism but Beginnings, and the Palestinian experience informs all his texts, not simply those that deal explicitly with the catastrophe of 1948. Palestinian life has been scattered, discontinuous, and affected by what he calls the 'synchronized rhythms of disturbed time.' Edward Said's oeuvre mirrors this state but simultaneously transcends it in a permanent search for a new synthesis. Hussein argues that this informs Said's approach not only to Conrad, Swift, and Eliot, but also to Lukács, Williams, Gramsci, and Adorno. Hussein's biography itself is bound to become the object of criticism and counter-criticism, a vital book that spotlights the collected writings of one of our most gifted cultural theorists.
